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El Encendero

Film based on "Thus spoke Zarathustra" by Friedrich Nietzsche, to be shot in old spaghetti western locations in the Tabernas desert, Andalusia Spain

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El Encendero

El Encendero

El Encendero

El Encendero

El Encendero

Film based on "Thus spoke Zarathustra" by Friedrich Nietzsche, to be shot in old spaghetti western locations in the Tabernas desert, Andalusia Spain

Film based on "Thus spoke Zarathustra" by Friedrich Nietzsche, to be shot in old spaghetti western locations in the Tabernas desert, Andalusia Spain

Film based on "Thus spoke Zarathustra" by Friedrich Nietzsche, to be shot in old spaghetti western locations in the Tabernas desert, Andalusia Spain

Film based on "Thus spoke Zarathustra" by Friedrich Nietzsche, to be shot in old spaghetti western locations in the Tabernas desert, Andalusia Spain

anders gullberg
anders gullberg
anders gullberg
anders gullberg
1 Campaign |
Paris, France
$109 USD $109 USD 2 backers
0% of $161,948 Flexible Goal Flexible Goal

The Pitch Media video shows writer/director Anders Gullberg fashioning the iron barred celldoor to appear in the three initial scenes of the film.


Dear prospective contributors to El Encendero - the rabble-rouser - a full-length-slim-budget-feature-film.

The script is inspired mainly by “Thus spoke Zarathustra” by Friedrich Nietzsche, published in the end of the 19th century, and famous for having propagated the arrival of an “übermench”, a superior being, which in the ongoing evolution of the species, was to replace man; the present one being as it were like an ape to this superior creature.

Nietzsche also pointed out in this work, that one shouldn’t rely on heavenly hopes for a better existence on earth or in any paradise after death. To “blaspheme” the Earth was now the worst of sins.

It’s difficult to say if Nietzsche really envisaged the creation of this being, or if it was to insult his fellow Homo sapiens, disqualifying them from ever resolving the reoccurring wars and massacres of the day; or perhaps it was his way to urge them to do better?

Today Zarathustra’s pessimism appears more prophetic and actual than ever, and well worth an ‘update’, as our beloved and magnificent planet becomes more and more violated and wasted by man – “the earth has a disease, and this disease is called man” as Zarathustra puts it - causing disastrous climate conditions and wars more hideous than ever, and enflamed by religious tensions.

The film will be shot in old spaghetti western locations in the Tabernas’ desert in Almeria, Andalusia, Spain; it’s aridity to remind us of the prospect of a barren utterly desolated Earth in a near future if present devastation can’t be halted.

The reference, image wise - as to costumes, manners and locations - to the brutal spaghetti western genre of ‘Superhuman heroes’, ferocious battles and deadly outcomes, has been chosen to highlight this the most urgent one - the battle for the survival of the planet.

The shoot will start in Mai 2014, and with joy I was able to encounter and evoke an interest from western icon Robert Woods to receive the script for the lead role,

and to encounter western icon Nicola Digioia and evoke an interest to receive the script for an important part as well;

two legendary western heroes who’s been working together on numerous films.

Further down this presentation you’ll find a series of pictures to give you an idea of the locations in which the film will play, and also a copy of the six initial pages of the script comprising the 3 initial scenes, which - shot & edited - will be the main part of the 100 € ‘Perk’ in form of a dvd.

Who am I then to urge you to participate in this project?

I was born in Stockholm, Sweden 1947, spent five years in London and one in Los Angeles, before moving to Paris and Spain not far from the Tabernas desert - the ‘epicentre’ of the Spaghetti westerns. So far I have completed ten shorts financed by myself, by the National film and television School in the U.K; from which I am a graduate, and by the Swedish Film Institute. My films have never had any financial success, but were presented in numerous festivals. My most important screenings were: “Peach Melba”, programmed with “Eraserhead” by David Lynch at the London Film Festival 1978, and “Lutherna Magica”, programmed with “The Element of Crime” by Lars von Trier and “Stalker” by Andreij Tarkovsky at the Scala Cinema, London 1986.

Finally – “before leaving you crying for more” as they say in Hollywood - I’ll assure you that in the case of this call for funds doesn’t reach it’s target, every penny donated will be invested in the film, which will reach it’s completion, even though it would have to involve a considerable amount of additional time.

Yours Devotedly

Anders Gullberg

cinviavia@gmail.com




1. INT  the Cell  Night
   
Scorcher moves restlessly on his straw bed.
His forhead, wet from perspirtion, glimmers in the moonlight.
The formeless dark trunk of the old guard is anchored out of his sight beyond the cell-door.   
His harsh whisper penetrates the stillness.  

the Guard
  You know it … Scorcher boy …

Scorcher (deliriously)
  The ground will give away under me,  
  a dangerous crossing…
  a dangerous troddings there…
  dangerous a looking back...
 

the Guard (whispers)
  You know you’ll have to, but you don’t speak it.
 
Scorche (pausing, doggedly)
  Yea, I know … no I won’t do it!

the Guard (whispers)
  Is this the truth? Firebug, don’t be a jellyfish.
 
Scorcher (trembles)
  Ah, I would really, how though. Stop it!  It’s beyond me…

the Guard (whispers)
  Give in, rabble-rouser.

Scorcher
 … they’ll have to wait … for somebody more … apt …
 
the Guard (whispers)
  Humble you are, but not humble enough.
  Humility has a tougher skin.

Scorcher
  The valley is already far below … how high then is that  mountain? One would need a steadfast hand not fall into a pothole…

the Guard (whispers)
  He who removes mountains, removes also the valleys … n’  those peaks n’ pits diminish more n’ more the nearer you’ll get to them…

Scorcher  
  I’ve been in the land of sleepers and mockers …
  I was never the mouth for their ears…

the Guard (whispers)
  How would you know, the dew falls on the grass when the night is all silent, you shall command great things…
 
Scorcher
  I’ve long forgotten how to walk in here … I’ve no lion's voice…

the Guard (whispers)
  Silent words shall bring on the storm, quiet like a dove’s trodding.
  You’ll be the shadow of what’s to come…

Scorcher (anguished)
  It’s not the height really … it’s that slope slip … those potholes.
  My heart turns giddy looking down...

 the Guard (chucles & whispers)
   Oh, firebrand, your fruits are ripe, but you are not yet ripe for thy fruits…


2. EXT/INT  the Cell  & the Rock in front of it  Dawn

The searching eyes of Scorcher behind the tiny iron-bared cell window.
A ray of the sun finds a curled up rattlesnake in a pocket of the rock.
An eagle soars above the high cliff.

Scorche (desirously)
  O heaven above, you pure, deep ether!, abyss of light!
  You make me tremble.

Blinded by a ray of the sun, he leans his head on the wall on to which he is chained.
The ray passes over his face with closed eyes, and the rattle of the snake reaches his ears.  
 
Scorcher (with a mocking, delirious laughter)
  You great star! What would be your pleasure if you hadn’t us to shine for!
  Ten years you’ve climbed to my cage: you’d be tired of your journey, hadn’t it been for   me and my eagle, and my viper.
  We waited for you every morning to take from you your overflow, and blessed you for it.
  Yea! Now I’m drowsy with your warmth and splendour, like a bee that has gathered too much honey.
  I need stretched out hands to take it…
 
The guard slips a tin of coffee underneath the interior iron-bared wall, and a piece of black bread.

the Guard (ironically)
  Then, ten years ago, firepoker, you were carried all ashes into the mountains, and now you want to carry your fire into the valleys?
  Don’t you fear that posse n’ lynchmob of poisonous snakes?

Scorcher
  Snakes kill no dragons, n’ the dangers you think I’ll dread only excites me.
  I’ll go to summits where the lightning strikes and scorches. I’ll go where the sun itself trembles for fear.

the Guard
  Oh dragon fly, you have no more doing in the land of sleepers and mockers.
  Rather be a bird in your cage, make hymns and sing them in praise of the Lord, like we all do…
   
Scorcher
  Making hymns, yea, laugh and weep and mumble.  
  Is it be possible old fool, you don’t know yet, that the old man God is dead!
  Open this cage, and I’ll follow that great star when it goes down in the evning, when it pours gold into the sea, so that even the poorest fisherman rows with golden oars…  

the Guard
  Is it possible, you haven’t yet understood, that there’s no key to open this cage, your tower of silence, before to let the vultures in…  
  (emotionally) I sincerely hope I won’t live to tend to that banquet.  

Scorcher
  Feel free to go then, but first get me a hammer, or better, a sledge hammer, and I’ll go to tell that Man is someone to pass over.
  What have you done, old fellà, to pass you over?
  What’s an ape to you? A laugh, a thing of shame? And just the same you’ll be to that higher Man, a laugh, a thing of shame.
  Give me that sledgehammer for my craving to cut in stone.  
  Ah, old fellow, there within the hardest, ugliest of rocks slumbers the figure of that great spirit, of the higher man to come.  
  Chips n’ sparks shall fly, in shaping that phantom! My hammer shall rage against his prison-wall.

the Guard (after a pause)
  Hm … that sculpture I’d very much like to see…

The Guard slips a sledgehammer underneath the iron-bared wall.

Scorcher
  Then, you shall also see it in its making!

Dissolve


3. INT/EXT  the Cell  Dusk

Scorcher sits motionless, abiding next to the imposing sledgehammer.
At the very moment the shadow from the bars of the tiny cell window fades away from the wall, he furiously knocks it down.
With the chain liberated, he separates it from the wristlet with a single blow,
then heads down, barefoot and in torn rags, into the valley, followed at a distance by the panting guard.

Scorcher (calling out to the guard)
  Stay where you are, fella’, I’ll take no prisoners, I’ll go alone!

Noticing Scorcher’s futile efforts to slip off the remaining iron wristlet from the wrist, the guard calls out nastily:

the Guard
  Hey, Firebug, that bracelet will take some chewing on…
 
Scorcher (calling back to the guard)
  Yea, keep away from me!
  Guard yourselves against the Scorcher! Be ashamed of him!  
  Besides, not only do I now have to love my enemies, but also to hate my friends…

The guard stops abruptly, and watches Scorcher swagger away.

the Guard (to himself)
  Goes he not along…like a dancer…

   
                                                                                                                                                                                                                                                                           © Anders Gullberg
 










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Choose your Perk

Action Photo

Currency Conversion $5 USD
€5 EUR
An action photo of the main actor from the shoot of the three initial scenes of the film to be sent to your e-mail address.
Estimated Shipping
September 2014
0 out of 20000 of claimed

Action Photos

Currency Conversion $11 USD
€10 EUR
Five action photos of the main actor from the shoot of the three initial scenes of the film to be sent to your e-mail address.
Estimated Shipping
September 2014
0 out of 10000 of claimed

Frontispiece of script

Currency Conversion $22 USD
€20 EUR
Ten photos from the shoot of the threee initial scenes and the frontispiece of the screeplay - a montage of a part of a sculpture by swedish sculptor Carl Milles and an eroded limestone rock on the 'Persö' island in the swedish archipilago - to be sent to your e-mail address with a personal 'thank you' by the writer/director.
Estimated Shipping
September 2014
0 out of 5000 of claimed

Downloadable link

Currency Conversion $54 USD
€50 EUR
The above and a downloadable link of the three initial scenes of the film, shot and edited, as presented in extract from the screenplay - to be sent to your e-mail address.
Estimated Shipping
September 2014
0 out of 400 of claimed

1 dvd

Currency Conversion $108 USD
€100 EUR
The above and a dvd of the three initial scenes of the film, shot and edited, with a personal 'thank you' by the writer/director printed on the disc and with a dedication on its cover - to be sent to your letterbox.
Estimated Shipping
September 2014
1 out of 300 of claimed

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