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Aarushi Agni's solo show, EMOJI: The Hieroglyphs of Our Time, or how I learned to stop worrying and send the risky text ¯\_(ツ)_/¯
is part love letter, part-stand-up set, part concert, and part iPhone commercial (jk). Aarushi Agni blends music, comedy, and a multimedia slideshow to explore whether emoji are the universal language of our time — or a crutch in a fractured society that has us clinging to digital crumbs of human connection. It will have you like, ![ROFL emoji]()
but also like,
!
The story of the show
Following a near-death-experience while surfing in September 2023, Aarushi had a sexy lil existential crisis.
Aarushi did what she always does in times of trouble. She deflected with comedy (!) and funny little obsessions — including a slideshow presentation about emoji she put together for Virginia Dickens’ Hyperfocus show.
Couldn’t we just not?
As much as Aarushi tried to hide in her “art criticism” and high falutin’ ideas about “the digital landscape,” she kept washing back up on her own shore — what the FUCK was it all for? In the weeks and months that passed, global events caused the world around her to deepen its relationship with crisis, death — and in turn, life.
And there were those emoji.
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Taunting her.
Comforting her.
The show was more than an exploration of these goofy little chat minions. It was a treatise on friendship, intimacy, and human connection. It was about risk and loss and need. All those things you feel like you have to lie about when you’re in a job interview or a first date. Gross. Did everything we do have to be so embarrassing? Couldn’t we just not?
Unfortunately we couldn’t not — we had to. The erotic wave of creative potential was already washing over her.
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“I’m getting too old for this.”
Aarushi couldn’t help it. Her stupid brain wouldn’t stop obsessing. She could draw a straight line from emoji to community to courage to the crazy $h1T going on in the world. She felt called to expand the message, so she developed the show further with her friend and co-conspirator/ director BT Hayes. They premiered the new version of the show to a sold-out crowd at Projectorfest in May 2024.
Despite being lit AF, Aarushi could feel that Projectorfest was only the beginning. Aarushi knew that if she wanted to get the show to the next level — she was gonna need a whole team. Also, she was gonna have to to write some tunes.
The show is about community, technology, and most of all — love. ❤️ And not the love of one person (although...☺️) — but the love of many people (lol)— the love of community— the love of ideas that will save us — the liberatory bonds of community that will save us in even the darkest of times.
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Cue the montage: Aarushi on the phone for, like, weeks, asking everyone, “Do you know someone who would maybe might be into this weird little thing I’m making?"
The ✨community✨ provides..
Now, under the directorial genius of Dominique Nisperos (Upright Citizens Brigade) and supported by the combined comedic and producing talents of Annie Moretto (LaughMasters), Jess Ducey (Down to Clown), and Sam Lochs (Get A Real Job), EMOJI is off to the New York City Fringe Festival, presented by FRIGID New York.
This couldn’t and will never come together without community...So, my dear friend/ respected elder/ fellow hottie / brilliant artist / country person…how can you help us?
Be a part of the magic ❤️
Making theater isn’t cheap — especially at the level we want to make it! First of all there’s a festival fee that is a honkin’ $1300 that came directly out of Aarushi’s food and living fund. Then there’s marketing, tech, composing music, rehearsal space — and most of all, paying artists, so they can continue living, eating, and paying tribute to the rat overlords of our fair city.
Our campaign target is $2,000, which, combined with a couple of fundraiser shows and a successful box office haul, means we can pay our producing team stipends of $250 each, which is about $5 an hour. Needless to say, this goal is a starting point, not a finish line.
So if you’re wondering if your contribution makes a difference - yes, babe, it does!
Like everything worth doing, art also takes a village. (Also the show will be happening in East Village. At Under Saint Marks Theatre. Please come.)
Not to get all sappy about it, but art is low-key anti-fascist — supporting this show means aiding the power of creativity and resistance. Your donation ensures everyone involved can keep doing what they love, all while staying safe from the rats. ART NOT RATS.
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Perks!
But supporting this project gets you more than the joy of supporting artists! There are perks, too! Like your logo on the slides — or a declaration of love for your crush (we don’t care!), a full VIP experience at the show, the chance to honor slash mock Aarushi by selecting the entrance music, or even a karaoke party with the team!
You could even pick an emoji for us to get tattooed on our actual human flesh. That’s right — in a world where everything is temporary — you can brand us, FOREVER.
Most of all you’ll be recognized as one of the coolest, best, most on-the-pulse cultural minds in the new world. What a bargain!
Other Ways You Can Help
If you don't have cold, hard cash to contribute at the moment, we get it! You can still support the project by spreading the word about this campaign.
Or, of course, get a ticket to the show or tell a friend who might like it. If you have other helpful suggestions, or just want to give us compliments, hit up the team! Lord knows we could all use some good energy.
Meet the Team
Aarushi Agni, Writer & Performer
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Aarushi Agni (she/they, @aarushifire) is a queer South Asian writer, poet, comedian, musician, artist, educator, activist, and person. Her writing and storytelling has been featured in Apartment Therapy, Nerdist, Belladonna Comedy, and McSweeney's Quarterly Concern. She’s been part of New York Poetry Festival, New York Queer Comedy Festival, Asian Comedy Festival, and performed at iconic venues like Joe’s Pub and Littlefield. She hosts a monthly love-and-sci-fi-themed improv comedy show, Shoulda Coulda Woulda, at Brooklyn Comedy Collective, and performs on the Boogiemanja sketch team Electric Panini. www.aarushiagni.com
Dominique Nisperos, Director
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Dominique Nisperos (they/them, @domloveslife) is a comedy writer, actor, director, and producer who performs with Betty Character Night’s WIG! and Maude Night sketch team VILLAIN! at the Upright Citizens’ Brigade Theatre New York. Their honors include a Yes And Laughter Lab Fellowship and a Ford Foundation Fellowship with credits on ABC, Funny or Die, Blue Man Group, TVLand, ABS-CBN Global, Edinburgh Fringe, SF Sketchfest, and WorldStar, among others. They’re a proud Chicanx and Filipino American kid hailing from Stockton, CA.
Jess Ducey, Producer
Jess Ducey (they/them, @thejduce) is a producer, writer, fundraiser, and occasional clown. They currently work with National Queer Theater, Edu Díaz’s multi-awarded solo show A Drag is Born, Yaa Samar! Dance Theatre, and Down to Clown, a monthly home for new work development. They have previously worked with Moxie Arts NYC and produced two new musicals in rep at Edinburgh Fringe. Their writing has appeared in Radio NZ, Landfall, and off-Broadway in Primary Stages’ Echoes emerging playwrights residency.
Samantha Lochs, Producer
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Samantha Lochs (she/they, @sam.lochs) is a multidisciplinary artist, performer, and filmmaker with a strong passion for TV and comedy. She has been immersed in NYC’s improv and stand-up communities since 2017, while simultaneously working at Full Frontal with Samantha Bee, A+E Networks, The Food Network, Discovery, Condé Nast, and personal film projects. Most recently, she won Best Comedy, Best Pilot, and Best Director for her original series “proof of concept." www.samanthalochs.com
Annie Moretto, Producer
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Annie Moretto (she/they, @anniemoretto) is an improviser, sketch comedian and comedy producer based in Brooklyn, NY. Originally from Boston, she’s been performing since 2021 and was previously an Ensemble Member at the People’s Improv Theater. She produces the comedy competition show LaughMasters and is one-half of the twoprov team Some Pulp Fiction.
Visit Aarushi’s website for unabridged bios and other updates and also maybe follow her Instagram (we hate it, too).