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Hannah - A Biblical Opera in English

Hannah - A Biblical Opera

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Hannah - A Biblical Opera in English

Hannah - A Biblical Opera in English

Hannah - A Biblical Opera in English

Hannah - A Biblical Opera in English

Hannah - A Biblical Opera in English

Hannah - A Biblical Opera

Hannah - A Biblical Opera

Hannah - A Biblical Opera

Hannah - A Biblical Opera

Cantor Daniel Pincus
Cantor Daniel Pincus
Cantor Daniel Pincus
Cantor Daniel Pincus
2 Campaigns |
New York, United States
$1,803 USD 32 backers
100% of $1,800 Flexible Goal Flexible Goal
Highlights
Mountain Filled 2 Projects Mountain Filled 2 Projects

Shalom,

Hannah, a Biblical opera by Dr. Leonard Lehrman and Orel Odinov, will have its U.S. premiere, semi-staged, with 2  pianos, organ, tambourine, violin, and 263 slide projections on Dec. 9, 2014 at 8pm at Malverne Community Presbyterian Church on Long Island,  and its N.Y. City premiere Dec. 23, 2014 at 7pm at Hebrew Union College-Jewish Institute of Religion in Manhattan, both before and during Chanukah, the Festival of Lights.  Based on legends nearly 2,000 years old, the opera portrays the story of Hannah, sister of the Maccabees, in her own rebellion against tyranny, at the time of the first struggle for religious freedom.   In HANNAH, we hear from the legendary Chanukah heroes Mattathias and his sons Judah,  Jonathan and Simon, but also from Nikanor, the oppressive local Syrian-Greek overlord, from Mattathias's wife Zipporah, from his niece Dinah and, of course, from Hannah, and her beloved, Eleazar.  The product of years of scholarly research, the libretto is based on 87 bibliographic sources, including 24 books of the Bible and the Apocrypha, and 36 of the Psalms.   It is performed in English, except for the Wedding Psalm, translated back into the original Hebrew for this production.        The terrific 21-member cast includes 8 cantors, 1 rabbi and The Metropolitan Philharmonic Chorus, conducted by the composer.  Hannah, a finalist at the O'Neill Festival, was premiered in Europe, and was excerpted in several U.S. concerts.  WBAI broadcast the work Dec. 25, 1989,  but this production, co-sponsored by the After Dinner Opera Company, with support  from NYSCA Decentralization  and three foundations, will be the first opportunity for American audiences to see it live in its entirety.  (Years of successes with smaller projects-- 9 other operas and hundreds of concerts--created a following and the impetus for this US premiere.) This will also be the first time that an opera has been premiered in Malverne.

"Hannah brings to life the lost legend of the daughter of Mattathias, who confronts her family and community at her wedding ceremony, in protest against the oppressive practice of 'the law of the first night.' Resonant with the stories of Dinah, Esther, Lilith, and Judith, the opera presents the hidden *her*-story which instigates the Maccabean revolt. Deeply informed by the biblical and midrashic tradition, Leonard Lehrman and Orel Odinov have composed a *tour de force* which will enrich our musical ears and our understanding of Jewish history."

Rachel Adelman, PhD, Professor of Hebrew Bible Hebrew College, Newton, Mass.

The central legend on which the opera is based is disputed as to authenticity, but is known to date back to the 2nd century C.E.:  Hannah's tearing off all her clothes at her wedding shames her father and her brothers into taking action against the oppressive regime. The hegemon (overlord) Nikanor is killed, but so is Hannah's beloved Eleazar, whose peacemaking efforts give way to the violence of her brother Judah ("the Maccabee").  In the final scene, Hannah prophesies that her youngest brother Simon will be the sole survivor of the Civil War she has unintentionally ignited. He promises to remember her, "by lighting the earth with candles."

"The love duet between Eleazar and Hannah (based on the Song of Songs) and the long passage with the Sukkoth Service are my favorite parts of this opera, displaying Leonard Lehrman’s mastery of contrapuntal voices that are at once dissonant and yet beautifully melodic,” --Orel Odinov Protopopescu, Co-Librettist.

Please read Anne Wilkinson Blachley's article in Long Island Woman here:
http://ljlehrman.artists-in-residence.com/Dec2014LIWoman.html
George Robinson's article in Jewish Week here:
http://www.thejewishweek.com/arts/music/edgy-hannah-finally-makes-it-ny
and Micah Danney's article in The Valley Stream Herald here:
http://tinyurl.com/Dec5VSonHANNAH

But, funding is still needed

-  to rent theatrical lighting and

-  to supplement honoraria for the cast. 

For further info on the opera please  visit 

http://ljlehrman.artists-in-residence.com/Hannah.html

By donating to this campaign, you will help ensure the successful full mounting of a meaningful and beautiful Jewish grand opera.  Not only will audiences hear some of the great cantorial voices of our time singing music they rarely get to sing, but will leave the theaters with a new appreciation of Jewish values and Jewish history.  Those who donate $25 or more and who plan to attend a performance will be invited to sit in the Priority Seating section on a first-come, first-serve basis. 

Performances: 

Tue. Dec. 9, 8pm, Community Presbyterian Church, 12 Nottingham Rd., Malverne   Tue. Dec. 23 7pm, Hebrew Union College -JIR, 1 W. 4th St., Manhattan

Reservations: 516-825-2939  Suggested donation: $25  Cash or check only.


Cantor Charles Osborne on what Hannah has meant to him..


Read more about the cast, and thanks for visiting us.  

Cantor MEREDITH GREENBERG (Hannah) received her B.A. in Vocal Performance from Manhattan School of Music, studied at the Academy for Jewish Religion (AJR), and received her ordination as Hazzan in 2009.  She has served as co-spiritual leader for the past six years at Temple Ner Tamid in Bloomfield, NJ.  A student of Ellen Shade, Meredith is blessed to have a loving and supportive family including her parents, Laurence and Leslie Greenberg and her wife, Leora Perlman. They reside in Montclair, NJ with their three wonderful children.  After auditioning for the title role in Leonard Lehrman's opera Hannah, singing an aria from The Ballad of Baby Doe , she then sang through the first act of Hannah and exclaimed: "This is a role for me!"—with which the composer heartily agreed.

Cantor RAPHAEL FRIEDER (Mattathias) has served as Chazzan of Temple Israel of Great Neck since 1991. He has appeared in venues from Carnegie Hall to Tel Aviv's Mann Auditorium and Vienna's Volkstheater, and has worked with conductors including Zubin Mehta, Roger Norrington and Gary Bertini. Leonard Bernstein selected him to sing the first public performance of Bernstein's Arias & Barcarolles in Tel Aviv. A featured soloist for the Milken Archive of American Jewish Music on Naxos, he has made numerous recordings for Israel National Radio, and played the role of The Cantor in the hit film Keeping the Faith.  He received his degrees in voice and choral conducting at the Rubin Academy of Music in Tel Aviv, and teaches at Jewish Theological Seminary (JTS) in NY City.

Cantor DAVID KATZ (Eleazar), while studying in Israel,  was engaged as the lead tenor in the Jerusalem Great Synagogue Choir singing under Eli Jaffe.  Ordained at Hebrew Union College-Jewish Institute of Religion (HUC-JIR) in 1998, he has served as Cantor on Long Island for more than 18 years, the last two at Or Elohim in Jericho,  and was also Cantor of the Raleigh Hotel in the Catskills. Cantor Katz is a member of the "The Three Jewish Tenors" along with Cantors Alberto Mizrachi and David Propis. He has sung with the Houston Grand Opera Symphony (with Marvin Hamlisch conducting), Atlanta Symphony Orchestra, Pacific Symphony Orchestra, Los Angeles Jewish Symphony, Queens Oratorio Society Symphony, Orchestra Camerata in Italy, Pan American Orchestra Of NY, One World Symphony, Knoxville Symphony, and many other prominent orchestras throughout the U.S. He has  sung lead roles in opera as Rodolfo in La Bohème, Alfredo in La Traviata  and Faust in Gounod's Faust in the U.S. and Europe. Cantor Katz has  sung the national anthem for the NY Mets at CitiField and the NY Islanders at the Nassau Coliseum.

Cantor GALIT DADOUN COHEN (Dinah), born and raised in Ashdod, Israel, earned her Bachelor’s of Music and Artist Diploma from the Ruben Academy of Music of Tel Aviv University and her Master’s of Music from City University of New York’s Brooklyn College. In 2010, she was ordained Cantor from HUC-JIR. Since then, she has served as the Cantor of Temple B’nai Or in Morristown, NJ. Galit has sung opera and classical song in festivals, concerts, and various projects throughout the United States, Europe and Israel. She has won awards and scholarships from the America-Israel Foundation, as well as participated in young artist programs of the International Vocal Arts Institute led by Joan Dorneman of the Metropolitan Opera. She deeply loves contemporary Israeli music, classical music and traditional Eastern European Hazzanut.  Along with her husband Joe, Cantor Galit shares the gratitude and endless joy of raising their three daughters Danielle, Naomi and Maya.

Tenor JONATHAN KLINE (Judah) attended AJR on a course of cantorial study and has made a career in a number of venues and media, here and abroad.  Engaged as a solo artist with NY City Opera in several productions including the world premiere of Haroun & the Sea of Stories,  he appeared in the first national tour of Disney’s Beauty & the Beast.  An accomplished interpreter of early and new music, he has appeared as Evangelist and soloist in J.S. Bach's Matthäus-Passion, and Johannes-Passion, in concert featuring songs of Walter Hilse (accompanied by the composer) and as a principal soloist in the rarely performed Requiem Mass of Marc-Antoine Charpentier. Operatically, he most recently appeared in Mark of Cain (Moradesh) and Glory Denied (Older Thompson), at Chelsea Opera; Fra Diavolo (Diavolo) with Bronx Opera; and The Impresario (Angel) at Yard Opera.  Mr. Kline has been featured in television campaigns for TV Land, The American Liver Foundation, Dragon Ball Z, and I-Flex, broadcast nationally, and was featured as Felix Polk in the “Greed” segment of Deadly Sins on the Investigation Discovery network.

Cantor ERIK CONTZIUS (Nikanor) is a versatile baritone, a creative composer, and a dynamic performer.  He has a B.A. in Psychology from Rutgers and an M.S.M. from HUC-JIR.  His Jewish repertoire is eclectic, ranging from the highly classical (performing the Ernest Bloch Sacred Service in Bulgaria, Canada, and Israel) to traditional hazzanut (appearing on the stage of the Stardust Ballroom at Kutshers in the Catskills), to dynamic vocal jazz (touring with The Afro-Semitic Experience). Contzius' compositions have been performed by cantors and choirs across the U.S. and can be heard on his album, Teach My Lips a Blessing.  His  editing skills are gratefully acknowledged in the production of the Hannah promotional video.

Cantor MOSHE BEAR (Jonathan), baritone, hails from Pensacola, FL.  He studied at Vanderbilt University and George Peabody Teachers College in Nashville, then JTS and AJR, from which he received his ordination. Former Cantor at South Huntington and Dix Hills Jewish Centers, this year he became Cantor at Temple Gates of Prayer in Flushing.  Metropolitan Region Chairperson of the Cantors Assembly and conductor of the Long Island chapter of HaZamir, he has concertized throughout North America, Europe and Israel, and is featured in the film 100 Voices. The first singer to perform a concert of Yiddish music at Ellis Island, he serves as Passover Cantor of the Yiddish Artists and Friends-Actors Club in Manhattan. 

Cantor FREDDA RAKUSIN MENDELSON (Zipporah, 12/9), HUC-JIR '96, began her career as an internationally known opera and concert singer for over 20 years.  From her debut in Frankfurt, Germany to her contract with the Met she has specialized in the dramatic mezzo repertoire of Verdi, and has sung with most of America’s opera houses, including Santa Fe, San Francisco, and the NY City Opera season in L.A., as well as Barcelona, Rio, Sao Paolo and Las Palmas, Canary Islands.  In addition to many PBS radio broadcasts, she starred in the PBS telecast of Menotti’s  The Consul  and was featured in the 20th Anniversary Gala from Wolf Trap.  She has recorded CDs for the Union of Reform Judaism and Transcontinental Music, as well as Jewish Music and More (with her husband Jacob Mendelson) and Charles Osborne's Souls on Fire, based on Elie Wiesel’s book, narrated by Leonard Nimoy. Cantor Mendelson served Temple Beth El of Spring Valley for 3 years and has been the Cantor at Larchmont Temple, Larchmont, NY for the past 15 years.

Cantor JANET LEUCHTER (Zipporah, 12/23), HUC-JIR '99, is the cantor of the Greenburgh Hebrew Center in Dobbs Ferry, NY.  A lyric mezzo, she has performed in many genres, including opera, oratorio, theater, folk and art song.  She is especially known for her ongoing study and performance of Yiddish song.  She was the vocalist with the pioneering women's band Klez-meydlekh and has taught at the Yiddish Folk Arts Program ("Klez-Kamp") and other venues.  She has premiered songs by songwriter Beyle Schaechter Gottesman and is featured on Gottesman's first recording, Zumerteg/Summer Days.  She can also be heard on the The Spirit of Jewish Children's Music  (United Synagogue of Conservative Judaism), Dancing with the Dead: The Music of Global Death Rites  (Ellipsis Arts) and the soundtrack of the acclaimed documentary Partisans of Vilna.  Her Off-Off-Broadway credits include Maria Irene Fornés in Eyes on the Harem (Obie winner), La Vida es Sueño/Life is a Dream, and Elizabeth Swados' Jerusalem Oratorio.  Other oratorios she has sung include works by Vivaldi, Bach, Handel, Mozart, Amy Beach, Mendelssohn and Honegger. 

HELENE WILLIAMS (Simon), soprano, co-founded the Bronx Opera, where she sang numerous operatic roles, before joining forces with Leonard Lehrman in Jan. 1987 as his star, muse, and Co-Founder of Court Street Music in Valley Stream.   She has performed in all genres across Europe, North America, Latin America, Israel, and Australia--close to 600 times, including concert excerpts from every one of the female roles in Hannah  and 140 works he has written for her.  Career highlights have included Merkin and Carnegie Recital Halls, Dresden's Staatsoper and Center for Contemporary Music, Heinrich Heine concerts in six languages all across Germany, the Yiddish Book Center in Amherst, MA, and the first Yiddish song recital ever given during the Wagner Festival in Bayreuth.  Roles she has created include Queen Isabella and Mrs. Potter  in Lehrman's operas New World  and The Wooing, along with various heroines and villainesses in the works of Marc Blitzstein and Leonard Bernstein. She has been featured in premieres and first recordings of works by 20 L.I. composers on Opus One, Premier, Capstone, Albany, and Original Cast Records, including the first CD devoted to David Diamond's songs, and centennial concert recordings of works by Abel Meeropol, Marc Blitzstein, and Elie Siegmeister.  Former temple soloist in NJ and Brooklyn, she became Choir Director of Jericho Jewish Center this year. Founder of Accent Reduction in English Speech in Valley Stream, she teaches at Baruch College CUNY.

Dr. LEONARD LEHRMAN is the composer of 10 operas, 6 musicals, 4 cantatas, and 195 other works heard throughout Europe, North America, Israel, Russia, Australia, and at the U.N., winning numerous awards. Commissions have included an entire Friday Evening Service (published in part by Transcontinental) for the retirement of Cantor Daniel Fogel at North Shore Synagogue in Syosset; an opera for the Lake George Festival; An Elizabeth Gurley Flynn Song Cycle  for Corliss Lamont; In Memoriam Arnold Rosner  for Carson Cooman; We Are Innocent (a Rosenberg Cantata); and New World: An Opera About What Columbus Did to the "Indians" – commissioned by The Puffin Foundation and premiered on Long Island in 1992.    His performances have been posted on over 1400 YouTube videos, best accessed at <tinyurl.com/LJLvideos>, with over 113,000 views to date. The first Jew to conduct Fiddler on the Roof!  in Berlin, he received his B.A. from Harvard and D.M.A. from Cornell.  Former Assistant Conductor at the Metropolitan Opera, he is the Founder/Laureate Conductor of the Jewish Music Theater of Berlin; Founder/Director of the Metropolitan Philharmonic Chorus and the L.I. Composers Archive; Music Director at Jericho Jewish Center; High Holidays Music Director of the Metropolitan Synagogue; Organist/Choir Director/Composer-in-Residence at Christ Lutheran Church in Rosedale; and Reference Librarian at Oyster Bay Library. From 1992 to 2003 he was Music Director of Malverne Community Presbyterian Church.  Six composers wrote music for his wedding to Helene Williams, conducted by Cantor Charles Osborne at Stephen Wise Free Synagogue, July 14, 2002.  Hannah, the only one of his operas not yet produced in the U.S. and posted on YouTube, is the third work of his to receive a premiere at HUC-JIR:  In 1997, his opera Suppose A Wedding, after Bernard Malamud's eponymous Scene of a Play, was premiered in the presence of Mrs. Malamud.  And in 2011, the Motyl String Quartet premiered his Suite #2: Remembrance.  Both these events were co-sponsored by The Long Island Composers Alliance, of which Dr. Lehrman was the first President, 1991-98. This fall he taught the first course ever given in Jewish Opera, at HUC-JIR. Some of his students sang portions of Hannah in rehearsal and in concert. For further info please visit <www.ljlehrman.artists-in-residence.com>.

The Metropolitan Philharmonic Chorus, founded by Leonard Lehrman in 1988 and specializing in  music of social consciousness, has performed and recorded with the Metropolitan Philharmonic Orchestra (founded by Kevin Scott) and independently, at the U.N., Weill Hall, Harlem School of the Arts, WQXR, WBAI, Community Church of NY, Riverside Church, Malverne Community Presbyterian Church, United Methodist Church of Huntington/Cold Spring Harbor, Stephen Wise Free Synagogue, Temple Sinai in Roslyn, Temple Judea in Manhasset, Heckscher Park in Huntington, Donnell Library, Queens College, LIU-Post, NYU, Great Neck Library, Long Beach Library, Bryant Library, People's Voice Cafe, and St.-Marks-in-the-Bowery.  Works performed multiple times include Siegmeister's  I Have A Dream  and Lehrman's New World, We Are Innocent, and A Requiem for Hiroshima.
Please see http://ljlehrman.artists-in-residence.com/MPC.html

NIC CHRISTOPHER (Lighting Designer) is a senior at Hofstra University pursuing a B.F.A. in theater arts with a focus in lighting and set design. Past credits include  Bloody Bloody Andrew Jackson  (Technical Director); Much Ado About Nothing (Master Carpenter); Urinetown  (Master Electrician); Antony and Cleopatra (Associate Lighting Designer); A Lie of the Mind, This Bud of Love, and Masquerade Musical Theatre Company's Spring Awakening  (all Lighting Designer). 

BARBARA D'ANDREA (Art Director) is a photographer who works in the graphic arts and has shown her work worldwide. She received her B.F.A. from Moore College of Art, an M.F.A. through the Visual Studies Workshop and an M.A. in Art Education from Adelphi University.  She taught art for many years in the Roosevelt Union Free School District. As a member of Malverne Community Presbyterian Church, she designed and produced most of the art work that hangs in the sanctuary there.  Ms. D'Andrea has a passion for archeology and has done pinhole photo essays on ancient Egyptian monuments and Mayan temples.  Her April 2000 one-person show was reviewed in the NY Times, which praised her "frequently haunting ...daring composition."

PEDRO D’AQUINO (Organ, Piano II, Tambourine), a native of NY City, is Organist and Choir Director of Congregation B’nai Jeshurun of Short Hills, N.J. He is also Cantor of Saint Luke’s Lutheran Church in Manhattan’s Theater District, and Music Director of the Traditional Latin Mass Community at the Church of the Holy Innocents in the Garment District. Prior to his appointment at B’nai Jeshurun, Pedro served as organist of Congregation Emanu-El of the City of NY, having previously served as music director of two other synagogues in the NY area stretching back over a period of 30 years. In 2004 he joined the faculty of the School of Sacred Music of HUC-JIR in NY, where he is an accompanist/coach and instructor of music theory.  In 2009 he was made a Fellow and Choir Master of the American Guild of Organists and was awarded both the Choir Master Prize and the prestigious S. Lewis Elmer Award for having attained the highest scores on the Choir Master Examination and on any guild examination, respectively.

Cantor DANIEL PINCUS, Development Director and this Indiegogo Campaign Team Leader, is a graduate of HUC-JIR.  He has served congregations in Ohio and NYC.  Daniel is a 20-year member of the Sephardic ensemble “Alhambra,” a founding member of the Mantua Singers (Mati Lazar, Conductor), and as a concert tenor has appeared with the Marlboro Music Festival, the 92nd Street Y Schubertiades, Music at Trinity Cathedral, Portland, ORE on NPR, The Rottenberg Chorale, Monadnock Music, the Oberlin Early Music Festival, and in recital with Malcolm Bilson, John Van Buskirk, Kenneth Cooper and Trevor Stephenson.  He has recorded with soprano Julianne Baird on Jane’s Hand, a compendium of some of Jane Austen’s favorite music.  Most recently, Cantor Pincus has become a scholar of shofar practice, and has taught numerous shofar workshops and programs in synagogues, as well as online and at the Hebrew Union College and the Jewish Theological Seminary.  Visit him at  Facebook Group Shofar Corps and at www.cantordanielpincus.com


Acknowledgments for help with promo videos:  Julie Morgan (Hannah in 1980)     and men of the U.S. Seventh Army Soldiers Chorus; Amy Glass, Daniel Pincus and Helene Williams (for videography); Malverne Community Presbyterian Church; After Dinner Opera Company (Beth Flusser); Fredda and Jacob Mendelson; Erik Contzius (for editing); Charles Osborne' and Carol Jochnowitz. 

If you are viewing this after the campaign ended but before the second performance, please consider donating to the production HANNAH directly to:

Dr. Leonard Lehrman

33 Court Street

Valley Stream, NY 11580





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Libretto of the Opera

$25 USD
For a contribution of $25. a complete libretto of the opera.
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Double CD of the Opera

$50 USD
A double CD of the 1980 original cast production in West Germany.
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Patron Status

$75 USD
As a Patron, your name will appear as such in the Playbill. The deadline for inclusion on the Dec. 9 program is Tuesday, December 2nd, at 11:59pm.
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Your Ad in the Program

$100 USD
Grow your business -- put an ad space in the program. You would be surprised how frequently people look over those pages in the Playbill. The deadline for inclusion on the Dec. 9 program is Tuesday, December 2nd, at 11:59pm.
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