What is our visual approach?
For the movie's visual approach, using an Alexa 35 camera with anamorphic lenses in the scenic landscapes of Ireland, the focus would be on capturing the raw and organic beauty of the surroundings while immersing the audience in the emotional journey of the characters. The use of natural light would enhance the authenticity and evoke a sense of timelessness.
Cinematography
- Anamorphic Lenses: Anamorphic lenses would be chosen to achieve the characteristic cinematic look with a unique and captivating visual texture.
- Wide Shots: The vast landscapes of Ireland would be beautifully showcased through wide shots, using the anamorphic lenses to accentuate the scale and depth of the surroundings.
- Handheld Shots: Utilize handheld camera work to infuse a sense of gritty immediacy and kinetic energy into the fight scene, immersing the audience in the intense physicality and emotions of the brawl.
Lighting
- Natural Light: The film would primarily utilize the soft, diffused natural light of the Irish countryside. The shifting sunlight and cloud cover would lend a sense of realism to the visuals, complementing the emotional journey of the characters.
- Golden Hour: Capturing scenes during the golden hours of sunrise and sunset would infuse warmth and a magical quality into the frames, enhancing the mood and emotions of the characters.
Color Palette
- Earth Tones: The rich and earthy color palette of the Irish countryside—greens, browns, and deep blues—would dominate the visuals, mirroring the characters' connection to the land.
- Contrast: The contrasting colors of the sisters' clothing could symbolize their differences while their shared environment unites them.
Visual Symbolism
- Dead Sheep: The discovery and burial of the dead sheep could symbolize the characters' shared vulnerability and the laying to rest of their conflicts.
- Landscape Integration: The landscapes could be used metaphorically to reflect the emotional arcs of the characters, evolving from stormy and tumultuous settings to serene and harmonious vistas.
Incorporating these visual elements, the movie's visual approach would create a captivating blend of cinematic artistry and emotional resonance, using the Alexa 35 camera with anamorphic lenses to capture the intricate nuances of the characters' journey against the stunning backdrop of Ireland's natural beauty.
Who are we?
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Steph Barkley | Director
Stephanie Barkley was born and raised in Chicago, Illinois and has the midwest charm to prove it. She graduated from the Henry Radford School of Design at Indiana University with a Bachelor of Arts in Studio Art. She took her degree and began creating elaborate sets for theatre which led her to performing.
She has been writing, performing, directing, and producing for the last eight years. She executive produced the podcast, Word Waffle presented by Cavalry Media, a positive and comedic segment on Good Risings. She wrote, produced and starred in the wackadoo comedy feature film Bigfoot Famous that was distributed by Gravitas in 2021 and produced and helped develop the award winning comedy short film Everything Mattress shot by Drew Daniels. She also directed the short film A Square is not a Rectangle written by Hannah Pilkes that is being screened at the upcoming 30th LA Comedy Film Festival.
Her TV/Film credits include The Late Late Show with James Corden, Paradise City, Sunnyside Up and Bigfoot Famous. Her viral laugh out loud comedy sketches have been featured on WhoHaHa and FunnyorDie.
Brooke Dooley | Producer
Brooke Dooley is a graduate of San Francisco State University’s cinema program. Her devotion to storytelling and determination led her to produce over two dozen films before her 23rd birthday, including Joshua Moore’s feature I Think it’s Raining, which premiered at the Karlovy Vary International Film Festival.
After working on a film in Pakistan, she became a development exec in Los Angeles where she packaged projects for brand sponsorship and mainstream distribution. After two years, Brooke launched her own boutique agency and cultivated the creative talent of emerging directors. Since 2009, she’s produced over 200 projects for clients including Google, U.S. Navy, Best Buy, BODYARMOR, Goodyear, Samsung, and Disney.
She produced Erahm Christopher’s feature Listen starring Jay Reeves, Karen Bethzabe and Maynor Alvarado; and most recently Chase Joliet’s feature debut Grapefruit starring Rosanna Arquette; and Charles Whitcher’s short film Mundo, executive produced by Eva Longoria, starring Bobby Soto, Otmara Marrero and Clayton Cardenas.
She recently completed a short term contract with Disney Branded Television, as a Production Executive, supervising marketing shoots for upcoming Disney+ titles American Born Chinese, The Santa Clauses, Out of My Mind, and Big Shot: S2.
Chase Joliet | Writer
Chase Joliet is an actor and a filmmaker from Dallas, Texas. He worked with legendary director Terrence Malick for a number of years on To the Wonder, Voyage of Time, and Song to Song after which he produced his first independent feature film KRISHA (A24) which won SXSW Grand Jury award and audience award, premiering at the CANNES Film Festival in 2016.
Chase won the John Cassavetes award at the 2016 Indie Spirit awards and went on to help develop Trey Edward Shults' second feature It Comes at Night (A24). Chase's directorial debut is the comedic short Everything Mattress which won multiple audience awards and is currently being sold in European Territories.
He grew up in the Dallas suburbs. His debut feature film Grapefruit is currently in the film festival circuit and is meant to show the world how acceptance and understanding can bring us all closer together.
Mario Contini | Cinematographer
What started out as an interest in stop-motion animation at an earlier age developed into a full-fledged career behind the camera at 24 frames per second. Mario graduated with a Bachelor of Arts in film production from Cal State University Northridge in 2009. While in college he got his start in the film industry through the lighting department as a Gaffer, where some of his works were recognized by Kodak and the ASC.
Longing to be closer to the action, Mario later transitioned into the camera guild as focus puller and camera operator, working under some of the great cinematographers of our day. He has operated camera on several notable films and series including Gaslit (Starz), 1923 (Paramount), Beef (Netflix) and Everything Everywhere All at Once (A24).
With his extensive technical background in film production, Mario is a highly versatile cinematographer with a strong appreciation for his crew. His catalog of work includes music videos for artists like Post Malone, 2 Chainz and Rich the Kid and commercials for big brands like Walmart and Dr Pepper. His documentary feature Bottle Conditioned has screened at Seattle International Film Festival, DocVille, and Florida Film Festival.
When Mario is not on set, he enjoys riding freestyle bmx, growing luscious organic vegetables, diy projects and catching up with friends. His drink of choice: Oak barrel-aged mixed culture saison.
Jawn McQuade | Co-Producer
Jawn McQuade's story is a testament to the power of following one's passions and embracing creative evolution. Born and raised amidst the vibrant culture of San Francisco, Jawn's journey from a tech-savvy entrepreneur to an acclaimed filmmaker is nothing short of inspiring.
Jawn's roots can be traced back to the bustling tech scene of San Francisco, where he co-founded the innovative startup Makerskit. As a co-founder, he played a pivotal role in shaping the company's identity and success. However, the fast-paced world of startups couldn't quell his deep-seated desire for creative expression.
Driven by an unyielding passion for visual storytelling, Jawn made the bold decision to shift gears and pursue a career in film. Starting from the ground up, he immersed himself in the world of commercials and music videos, honing his craft and cultivating a unique cinematic style.
Jawn's talents soon caught the attention of the industry's biggest players, allowing him to collaborate with some of the most iconic artists and brands. His journey in film saw him working alongside luminaries like Billie Eilish and Lady Gaga, translating their artistic visions into visually captivating experiences. Beyond the music scene, Jawn lent his creative touch to major brands such as the NFL, Guinness, and Apple, seamlessly blending commerce with creativity.
Why do we need your help?
Most of us are volunteering our time to the project, but we do have hard costs to cover, including:
- Airfare
- Lodging
- Transportation
- Baggage
- Customs Fee
- Camera Equipment
- Sound Equipment
- Grip and Lighting Equipment
- Art & Wardrobe
- Local Crew Fees
- Catering
- Post-Production
