Rebecca Stegh

<style>@font-face { font-family: "Times New Roman"; }@font-face { font-family: "Century Gothic"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }</style> <p class="MsoNormal"><span style="font-size: 11pt; font-family: &quot;Century Gothic&quot;;">Rebecca Stegh is a graduate of the Victorian College of the Arts, where she studied Film and Visual Effects. She has been working in the film industry for the last 8 years, freelancing as a motion graphics and visual effects designer on numerous film and broadcast programs.</span></p> <p class="MsoNormal"><span style="font-size: 11pt; font-family: &quot;Century Gothic&quot;;">&nbsp;</span></p> <p class="MsoNormal"><span style="font-size: 11pt; font-family: &quot;Century Gothic&quot;;">Recently she has returned to writing/directing, completing the short films <b>Balthius and the Ugliness of Others</b></span><span style="font-size: 11pt; font-family: &quot;Century Gothic&quot;;"> and <b>The Copy Girl</b></span><span style="font-size: 11pt; font-family: &quot;Century Gothic&quot;;"> which received a Kodak Script Award. Rebecca’s collaboration with artist Justin Shoulder has led to the development of a video art series, with the first work being exhibited at The Paper Mill Gallery, Sydney.</span></p> <p class="MsoNormal"><span style="font-size: 11pt; font-family: &quot;Century Gothic&quot;;">&nbsp;</span></p> <p class="MsoNormal"><span style="font-size: 11pt; font-family: &quot;Century Gothic&quot;;">In the last few years she has become interested in the mechanics and visual capabilities of theatre and live performance. She worked as AV designer and supervisor on the production 10|01 as part of VCA master season 2009 and has collaborated with the Glitter Militia collective for the Monster Gras Theatre project at the Red Rattler Sydney, and with Justin Shoulder as part of Quick n’ Dirty at Performance Space and the Sydney Opera House. </span></p>

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