Lili White

New York, New York, United States

imagination has no fixed form

<p style="text-align: left; margin-left: 0.63in; margin-right: -1in; text-indent: -0.63in; page-break-after: avoid;"><span class="Apple-style-span" style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: 900;"> <!--StartFragment--><span style="color: #000080;"><span style="font-size: large;"><span style="font-family: Arial;"><span style="font-size: 14.0px;"><strong><br /></strong></span></span></span></span><span style="font-size: large;"><span style="font-family: Arial;"><span style="font-size: 14.0px;"><span style="color: #4d4d4d;"> <span style="font-size: large;"><span style="font-family: Arial;"><span style="font-size: 14.0px;"><span style="color: #4d4d4d;"><span style="color: #000080;"><span style="font-family: Arial;"><span style="font-size: 12.0px;"><strong>Lili White's own films often are a form of atmospheric collage that connect news-media issues to scientific facts, parallel personal to mythic stories, film and art histories, and include other art forms (literature, poetry) that often explore subjects of relationships of power and repression. The idea was to evince the &ldquo;whole&rdquo; of &ldquo;it&rdquo;, like how ALL the facets form A diamond.<br /> <br /> Her feature length experi-mentary, "NY(SEE)" reflects what New York stands for: America&rsquo;s cradle of immigration; the site of the 9/11 Disaster; the platform of a genuine international city. Three immigrant artists intersect with their own artwork. <br /> </strong></span></span></span></span></span></span></span></span></span></span></span></span></span></p> <p style="text-align: left; margin-left: 0.63in; margin-right: -1in; text-indent: -0.63in; page-break-after: avoid;"><span class="Apple-style-span" style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: 900;"><span style="font-size: large;"><span style="font-family: Arial;"><span style="font-size: 14.0px;"><span style="color: #4d4d4d;"><span style="font-size: large;"><span style="font-family: Arial;"><span style="font-size: 14.0px;"><span style="color: #4d4d4d;"><span style="color: #000080;"><span style="font-family: Arial;"><span style="font-size: 12.0px;"><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Her work was screened at Millennium Film Workshop, Le Petit Versailles, and Jersey City Museum; Estation Indianilla in Mexico City, BYOTV in Portland Oregon; THE AURORA PICTURE SHOW and other places. Video installations, "GOT'CHA", and "WHAT CAN'T YOU SEE?" were presented in local galleries in 2010.<br /> <br /> Her film, STUFF of our DREAMS, is one of eleven finalists in the APPROPRIATION ALLIANCE CRITICAL REMIX FESTIVAL: OIL AND WAR! Held in Fresno, California in 2011. And "everything, BUT" won a prize for BEST FILM PROMOTING (agricultural) SUSTAINABILITY at the 3 A Short Short Film Fest in South Bend Indiana.</strong></span></span></span></span></span></span></span></span></span></span></span></span></span></p> <p style="text-align: left; margin-left: 0.63in; margin-right: -1in; text-indent: -0.63in; page-break-after: avoid;"><span class="Apple-style-span" style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: 900;"><span style="font-size: large;"><span style="font-family: Arial;"><span style="font-size: 14.0px;"><span style="color: #4d4d4d;"><span style="font-size: large;"><span style="font-family: Arial;"><span style="font-size: 14.0px;"><span style="color: #4d4d4d;"><span style="color: #000080;"><span style="font-family: Arial;"><span style="font-size: 12.0px;"><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Other films were screened at ATA's MisALT Screening Series: Glitch versus Scratch and the MIRROR/IMAGE conference, curated by Margaret Jamieson; Murray Edwards College at Cambridge University in the UK</strong></span></span></span>&nbsp;</span></span></span></span></span></span></span></span></span></span></p> <p style="text-align: left; margin-left: 0.63in; margin-right: -1in; text-indent: -0.63in; page-break-after: avoid;"><span class="Apple-style-span" style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: 900;"><span style="font-size: large;"><span style="font-family: Arial;"><span style="font-size: 14.0px;"><span style="color: #4d4d4d;"><span style="color: #000080;"><span style="font-family: Arial;"><span style="font-size: 12.0px;"><strong>&nbsp;</strong></span></span></span></span></span></span></span></span></span></p> <p style="text-align: left; margin-left: 0.63in; margin-right: -1in; text-indent: -0.63in; page-break-after: avoid;"><span class="Apple-style-span" style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: 900;"><span style="font-size: large;"><span style="font-family: Arial;"><span style="font-size: 14.0px;"><span style="color: #4d4d4d;"><span style="color: #000080;"><span style="font-family: Arial;"><span style="font-size: 12.0px;"><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; White is <span style="font-size: large;"><span style="font-family: Arial;"><span style="font-size: 14.0px;"><span style="color: #4d4d4d;"><span style="color: #000080;"><span style="font-family: Arial;"><span style="font-size: 12.0px;"><strong>the Director / Curator of <span style="font-size: large;"><span style="font-family: Arial;"><span style="font-size: 14.0px;"><span style="color: #4d4d4d;"><span style="color: #000080;"><span style="font-family: Arial;"><span style="font-size: 12.0px;"><strong>ANOTHER EXPERIMENT BY WOMEN FILM FESTIVAL that in 2011 recieved a </strong></span></span></span></span></span></span></span></strong></span></span></span></span></span></span></span>Fractured Atlas Fiscally Sponsored Campaign &amp; was recipient of LMCC&rsquo;s Manhattan Community Arts Fund Grant <br /> <br /> ANOTHER EXPERIMENT by WOMEN FILM FESTIVAL<br /> <br /> After studying painting at the Pennsylvania Academy of the Fine Arts Lili White curated several group shows of painters. The first NYC show was THE LIGHT FROM BEHIND produced thru Art Initiatives. <br /> She first served as a Public Relations Chairperson and Steering Committee Member for the ART at the ARMORY: 1990 in Philadelphia, PA &mdash; a four day long, artist-organized, artist-run show of 400 Philadelphia fine artists that netted: $20,000 and had an attendance of 20,000 people.<br /> She also served as the DVD Project Manager in 2006 for: FOR LIFE AGAINST THE WAR, AGAIN&hellip; (TRT. 88minutes, 25 filmmakers that protest The War in Iraq). This DVD serves to raise funds for The NY Film-Makers Cooperative. She curated 11 filmmakers in duel SP/Pl/ace Show thru the NY FILM CO-OP in 2006.<br /> &nbsp;<br /> ANOTHER EXPERIMENT BY WOMEN FILM FESTIVAL (experimental films by women) held their first official event was in 2010 and 6 shows were presented at Anthology Film Archives in their NEW FILMMAKERS&rsquo; WOMEN&rsquo;S NIGHTS in 2011. These screenings continue in 2012, after the second offical Festival occurred in 2011. <br /> <br /> <br /> </strong></span></span></span><br /> </span></span></span></span> <!--EndFragment--> </span></span></p> <p style="text-align: left; margin-left: 0.63in; margin-right: -1in; text-indent: -0.63in; page-break-after: avoid;"><span class="Apple-style-span" style="font-family: 'Times New Roman',serif; font-size: medium;"> <!--EndFragment--> </span></p>

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