Sonia Megías

New York, New York, United States

www.soniamegias.es

<br><meta name="Title" content=""> <meta name="Keywords" content=""> <meta http-equiv="Content-Type" content="text/html; charset=utf-8"> <meta name="ProgId" content="Word.Document"> <meta name="Generator" content="Microsoft Word 11"> <meta name="Originator" content="Microsoft Word 11"> <link rel="File-List" href="file://localhost/Users/sonia/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"> <!--[if gte mso 9]><xml> <o:DocumentProperties> <o:Template>Normal</o:Template> <o:Revision>0</o:Revision> <o:TotalTime>0</o:TotalTime> <o:Pages>1</o:Pages> <o:Words>266</o:Words> <o:Characters>1519</o:Characters> <o:Company>perla</o:Company> <o:Lines>12</o:Lines> <o:Paragraphs>3</o:Paragraphs> <o:CharactersWithSpaces>1865</o:CharactersWithSpaces> <o:Version>11.1539</o:Version> </o:DocumentProperties> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:Zoom>0</w:Zoom> <w:DoNotShowRevisions/> <w:DoNotPrintRevisions/> <w:DisplayHorizontalDrawingGridEvery>0</w:DisplayHorizontalDrawingGridEvery> <w:DisplayVerticalDrawingGridEvery>0</w:DisplayVerticalDrawingGridEvery> <w:UseMarginsForDrawingGridOrigin/> </w:WordDocument> </xml><![endif]--> <style> <!-- /* Font Definitions */ @font-face {font-family:"Times New Roman"; panose-1:0 2 2 6 3 5 4 5 2 3; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:50331648 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ansi-language:ES-TRAD;} table.MsoNormalTable {mso-style-parent:""; font-size:10.0pt; font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:72.0pt 59.15pt 72.0pt 63.8pt; mso-header-margin:35.4pt; mso-footer-margin:35.4pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--StartFragment--> <p class="MsoNormal"><span style="font-size: 11pt;"><b>Sonia Megías</b></span><span style="font-size: 11pt;"> (Almansa, Spain, 1982) enjoys music and art in general as a way of sharing, gathering, connecting, becoming conscious. <o:p></o:p></span></p> <p class="MsoNormal"><span style="font-size: 11pt;"><!--[if !supportEmptyParas]-->&nbsp;<!--[endif]--><o:p></o:p></span></p> <p class="MsoNormal" style="text-indent: 21.3pt;"><span style="font-size: 11pt;">She <b>studied</b></span><span style="font-size: 11pt;"> in Europe and USA with maestros J. M. Solare, M. Subotnick, K. Stockhausen, P. Niblock, A. Moya, E. Ferrer, J. Wolfe, M. Gordon, B. Marcus or J. La Barbara. Other big influences are G. Ligeti, M. Monk, M. de Alvear, S. Reich, P. Oliveros, H. Partch or J. Cage. She <b>taught</b></span><span style="font-size: 11pt;"> in some Spanish conservatories, universities and music schools and formed and conducted two <b>experimental choirs</b></span><span style="font-size: 11pt;">: “VocesBravasLab” (Madrid, 2008-) and “CoroDelantal” (New York, 2011-). She received several <b>grants</b></span><span style="font-size: 11pt;"> and <b>scholarships</b></span><span style="font-size: 11pt;"> such as: Erasmus (Italy’2003), Nuova Consonanza (Italy’2005), Casa de Velázquez (Madrid-France’2009) or Fulbright (New York’2010). <o:p></o:p></span></p> <p class="MsoNormal"><span style="font-size: 11pt;"><!--[if !supportEmptyParas]-->&nbsp;<!--[endif]--><o:p></o:p></span></p> <p class="MsoNormal" style="text-indent: 21.3pt;"><span style="font-size: 11pt;">Her musical <b>production</b></span><span style="font-size: 11pt;"> breaks boundaries between the arts in pieces as: <b><i>Cello Mantra</i></b></span><span style="font-size: 11pt;"> (2011), choreography for solo cellist; <b><i>Sshhcrack!</i></b></span><span style="font-size: 11pt;"> (2011), for ensemble; <b><i>25 Ciudades 50 Calles</i></b></span><span style="font-size: 11pt;"> (2010-), for groups of 4 performers &amp; 2 loudspeakers; <b><i>Noticias del Silencio: El Mono</i></b></span><span style="font-size: 11pt;"> (2010), collaborating with playwright Eva Guillamón, for dancer, 2 choirs &amp; 2 screens;<b><i> Puerta colgada del vacío</i></b></span><span style="font-size: 11pt;"> (2010), collaborating with playwright Vanessa Montfort, for bass singer, actress, clarinet &amp; percussion; <b><i>...Es Particular</i></b></span><span style="font-size: 11pt;"> (2009), for ensemble; <b><i>Instru-Mentando</i></b></span><span style="font-size: 11pt;"> (2008), for grand ensemble; <b><i>LBaila</i></b></span><span style="font-size: 11pt;"> (2008), for 9 female singers with a text by Souad Hadj-Ali Mouhoub; <b><i>Érase una vez en Almansa</i></b></span><span style="font-size: 11pt;"> (2007), cantata on a libretto by Javier Pérez, for three children choirs &amp; grand ensemble; <b><i>Mmngieaaou</i></b></span><span style="font-size: 11pt;"> (2006), collaborating with videomaker Pauline Horovitz, for SATB choir; <b><i>19 Personajes al Azar</i></b></span><span style="font-size: 11pt;"> (2004), for reciter, violin, harp, accordion &amp; two dancers, on a poem by Ginés Sánchez; <b><i>Mal(in)con(i)ci</i></b></span><span style="font-size: 11pt;"> (2004), for flute, violin, clarinet, guitar &amp; cello, collaborating with videomaker Paola Boioli.<o:p></o:p></span></p> <!--EndFragment-->

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