Growing up is scary. Period.
<p> </p> <p><span style="color: #000033; font-family: helvetica; font-size: medium;"><span style="text-decoration: underline;"><strong>Synopsis</strong></span></span></p> <p><span style="color: #000033; font-size: medium;"><span style="font-family: helvetica;">Thirteen-year-old Charlotte is obsessed with, but terrified of growing up. Her fear </span><span style="font-family: helvetica;">manifests itself in her inability to make it across the length of the pool in her </span><span style="font-family: helvetica;">swimming lessons. Embarrassed, she keeps to herself, spending her time </span><span style="font-family: helvetica;">idolizing her next-door neighbor – a fit, sexually active, attractive young woman – </span><span style="font-family: helvetica;">from afar.</span></span></p> <p><span style="color: #000033; font-size: medium;"><span style="font-family: helvetica;"><br /></span><span style="font-family: helvetica;">In a desperate attempt to accept adulthood, Charlotte removes all childhood </span><span style="font-family: helvetica;">paraphernalia from her bedroom, hoping a physical change might inspire a </span><span style="font-family: helvetica;">psychological one. Unsuccessful and hopeless, Charlotte finally gets the change </span><span style="font-family: helvetica;">sheʼs looking for; the surprise arrival of her period forces her to face her fear at </span><span style="font-family: helvetica;">last.</span></span></p> <p> </p> <p><span style="color: #000033; font-family: helvetica; font-size: medium;"><strong><span style="text-decoration: underline;"><br /></span></strong></span></p> <p><span style="color: #000033; font-family: helvetica; font-size: medium;"><span style="font-weight: bold; text-decoration: underline;">Writer/Director:</span> Julia Patey</span></p> <p><span style="color: #000033; font-size: medium;"><span style="font-family: helvetica;"><br /></span><span style="font-family: helvetica;">Twenty-one year old Julia Patey, from Kingston, Ontario, is in her second year of film school in Vancouver, British Columbia. She aspires to refine her storytelling skills through the various facets of filmmaking. She recently developed a short documentary entitled <em>From Barbara to Txi, </em>which explores the life of Vancouver-based semi-retired stage clown Barbara "Txi" Hannah. In her spare time, Julia experiments with film photography, writing music and acting, hoping to strengthen her artistry as a filmmaker. </span></span></p> <p><span style="color: #000033; font-size: medium;"><span style="font-family: helvetica;"><br /></span><span style="font-family: helvetica;">Julia says about her current project <em>Swim</em>:<br /></span><span style="font-family: helvetica;"><br /></span></span></p> <p><span style="color: #000033; font-size: medium;"><span style="font-family: helvetica;">"I have never had an easy time writing scripts; I obsess over powerful images, </span><span style="font-family: helvetica;">tying myself up in details before even knowing what the story is. By the time the </span><span style="font-family: helvetica;">first draft is done, the plot is so disparate and loaded with heavy-handed </span><span style="font-family: helvetica;">metaphors that any trace of a story or character that might have existed is </span><span style="font-family: helvetica;">completely wiped out.<br /></span><span style="font-family: helvetica;"><br /></span></span></p> <p><span style="color: #000033; font-size: medium;"><span style="font-family: helvetica;">SWIM is my attempt to drop old writing habits and hone in on storytelling at its </span><span style="font-family: helvetica;">most basic level. I have written in my most genuine voice, drawing on my own </span><span style="font-family: helvetica;">experiences and I can only hope that my honesty comes through."</span></span></p> <p style="font-weight: bold; text-decoration: underline;"><span style="color: #000033;"><br /></span></p> <p><span style="font-size: medium;"><span style="color: #000033; font-family: helvetica;"><span style="font-weight: bold; text-decoration: underline;">Cinematographer:</span> Dylan Stirewalt<br /></span></span></p> <p><span style="color: #000033;"><br /></span></p> <p><span style="font-size: medium;"><span style="color: #000033; font-family: helvetica;">Twenty-one year old Dylan Stirewalt was born and raised in Portland, Oregon. She is an aspiring director and documentary filmmaker. Dylan acts as advocate for the homeless, inspired by her mother who has been on and off the streets for the sum of her life. Her first documentary 'Onward Hoe' examines the complicated relationship with her mother.<br /></span></span></p> <p><span style="font-size: medium;"><span style="color: #000033; font-family: helvetica;">Dylan also wrote and directed the short 'Sbear some love', which examines in realistic style the adventures of a homeless teddy bear based on stories from her mother and friends she met on the streets. The short was featured on Oregon Lens for the Oregon Public Broadcasting Network in 2011.</span></span></p> <p><span style="font-size: medium;"><span style="color: #000033; font-family: helvetica;"><br /></span></span></p> <p><span style="font-size: medium;"><span style="color: #000033; font-family: helvetica;">Dylan seeks to further explore her roots in documentary and realistic-style filmmaking. She aspires to keep exploring the topic of homelessness in her films and generally opening people up to topics that are misunderstood by the public. </span></span></p> <p><span style="color: #000033;"><br /></span></p> <p><span style="font-size: medium;"><span style="color: #000033; font-family: helvetica;"><strong><span style="text-decoration: underline;">Producer:</span></strong> Mélanie Lê Phan</span></span></p> <p><span style="color: #000033;"><br /></span></p> <p><span style="color: #000033; font-family: helvetica; font-size: medium;"><span lang="EN-CA">Twenty-five year old Mélanie Lê Phan is in her second year of film school in Vancouver, British Columbia. She is originally from Ottawa where she completed her BA in Communications from the University of Ottawa. Mélanie recently co-produced the short </span><em>Run Dry</em> as part of Vancouver's Crazy8s film competition. She is currently acting as Associate Producer for the documentary feature <em>The Backward Class</em>, which follows the <span style="line-height: 15px;">first aspiring graduates of Shanti Bhavan School in India - a class of dalit (‘untouchable’) students who aspire to escape the future predestined by their caste.</span><span style="line-height: 15px;"> </span></span></p> <p><span style="color: #000033; font-family: helvetica; font-size: medium;"><span style="line-height: 15px;"><br /></span></span></p> <p><span style="color: #000033; font-family: helvetica; font-size: medium;"><span lang="EN-CA">Mélanie hopes to develop her skills as a writer-producer and aims to direct her own short next year. She plans to become a well-rounded and hands-on producer in the future. </span></span></p>