Gil Mualem-Doron is an activist and socially engaged artist born in the UK and raised in Israel, whose work has been featured in galleries such as the Tate Modern to name but one. Colours of Conflict follows Gil in the run up to what he has described as his ‘most controversial exhibition yet', a series of installations and photographs documenting the everyday life and struggle of those present in the Israeli/Palestine conflict titled ‘Cry, My Beloved Country’.
The impact of your contribution will play a vital part in the completion of our film. The project will allow us to raise awareness and bring attention to the problems caused by ongoing conflict, and will bring to light some of the amazing artworks that have emerged from this. We have a unique opportunity to explore a narrative that is ultimately rooted in peace and understanding and how we can help each other.
Joe Hadman - Director
"I am excited to document such an interesting artist, who uses his work to celebrate and bring attention to a diverse set of cultures and traditions. Colours of Conflict will offer a unique way of viewing the power of art and its importance in bringing change, and will draw on my experiences from directing several other documentary films".
Misha Conrad - Editor
"Having worked as an editor for various projects, I am excited to work on this film as Gil himself is extremely passionate and I think it’s an important issue to document. Our use of archival footage alongside the footage we will shoot, will allow me to be creative with the edit and incorporate an interesting historical timeline that highlights how these issues are still present today".
Laila Henrysmith - Cinematographer
"The aesthetics of a film are arguably the most important aspect for me. I want to communicate through the camera work that this is a story about an artist who uses his vision to draw attention to contemporary social issues. I’m thrilled to be working on this film alongside Gil, and to incorporate his artistic vision".
Mac Davis - Sound Designer
"As an enthusiast for both film and music, I want to ensure that the audio present is to the highest achievable standard. I am also determined to accurately accentuate the themes and cultures presented through a thorough understanding and implementation of sounds which aim to compliment what the audience sees".
Below are some of the stills taken from our initial shooting session for Colours of Conflict.
They capture the way in which we will shoot Gil and aim to aestheticise his story.
Our intention is to observe and depict Gil at work in his studio, and his exhibition in London.
We need your donations to help fund the film as we begin the shooting and post-production phases. Every contribution will significantly aid the making of this project. Below, we have broken down the budget so you can easily visualise where your money is going to help his film.
THANK YOU FOR YOUR HELP!
All of us want to thank you for taking the time to read about Colours of Conflict, and take an interest in the project. Without your support, making this film isn't possible. Any contribution is appreciated.
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