For
Viking villager Ryker, it's not a question. He'll go to any lengths to
save his wife from the creature who dragged her into the woods.
And we've been inspired by his determination to save our film.
We
started shooting the short film "RYKER," about a Viking man who must
defy his community and chieftain to find his wife, in April 2014 in the forests and
hills
outside of Seattle. We came away with some amazing
footage and the confidence that this project has the potential to be
something really special. Despite having a great team, we weren't able to
get enough funding to complete filming principle photography. So we're
turning to Indiegogo to raise enough money to
finish Ryker's story.
RYKER'S Story
RYKER is a fifteen minute long epic, a tale of the young eponymous viking peasant, who upon waking from a dream of prophecy, of himself, covered in blood and armor, upon a throne of skulls, finds his wife taken by a monster for purposes unknown. Being but a simple farmer, Ryker is too afraid of the creature to pursue it on his own. He goes to the village Mead Hall and beseeches the Chieftain to send his warriors.
The Chieftain, for his part, doesn’t believe in monsters. He laughs at Ryker, and sends him away. Ryker’s hopelessness quickly turns to resolve and, after forging a weapon from one of his farm implements, he sets off into the forest after his love and the monster who took her.
Within the forest he faces three trials: one of the elements, one of nature, and one of man. In so doing he forges himself, like his weapon, from a simple farming implement and into a tool of war.
He crosses through forest, valley and plains until at last he comes to the creature’s cave, and what happens next? Well, you’ll just have to help us complete the film to find out.
Why Vikings?
"RYKER"
takes place in a Viking village and its surrounding forest - a world of
wood and iron, where myth and legend are a part of daily life. Even
though the creature Ryker battles is a work of fiction, we tried to keep
the world of "RYKER" as close to how real Vikings lived as possible. Our director has been
fascinated by this period for years and wanted to make a film that
accurately depicted the Vikings' incredible history. He and our
costume director spent months researching the clothes they wore,
the weapons they carried, and the stories they told each other to make
it through the long, cold nights. To ensure that everything the
characters wore would be as authentic as possible, they worked closely with local Viking enthusiasts and community members, such as professional armorers, leather-workers, and blacksmiths.
Why Seattle?
Seattle is a truly
unique place to film. It has the lush forests and scenic mountains
"RYKER" needed to transport audiences to ancient Scandinavia. Its
breathtaking locations are practically their own character in the film.
But aside from just being beautiful, Seattle's film-making community is full
of incredible talent, and has been so supportive of the "RYKER" team
and our goals. Add that to Seattle's
vibrant, creative spirit, and there was nowhere else "RYKER"
could have come to life.
Why Indiegogo?
"RYKER"
is nearly complete - so close that it kills us that it's not quite
there. We're not asking you to fund a project that might not happen - this
one's already in progress, and you can see from our trailer that the
footage we do have is downright gorgeous. We're hoping that with
Indiegogo we can finish our film without compromising on quality. We want
"RYKER" to be shot entirely with a RED
camera, which has a pricy rental fee and insurance, but takes the best
footage in the industry. And we want to use the best locations Seattle and its surrounding areas
have to offer, which often require expensive permits. With so much of the
footage already shot, there's no question of whether or not we can do
this. The crew is assembled, the actors are cast, the costumes are sewn,
and the locations are scouted. We have everything ready to finish this
film, we just need a little extra support.
Who Are We?
We're
a group of
film-making professionals and artists from across the country. We have
strong experience working on short films and we have a passion for independent film, Seattle, and history.
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Alexandre Pulido is a
director and writer living in Brooklyn, NY and
working at-large.
His previous film, “Hudson Valley Boys”, is currently in
contention for film festivals on both US coasts. He's also a
photographer, and his environmental portraits have been displayed at
Feira Morta in Lisbon, Portugal. He holds a Bachelors Fine Arts Degree
in the Direction
of Narrative Film from Emerson College in Boston, MA. An aspiring
Renaissance
Man, he is also a multi-instrumentalist, poet, actor, and
political philosopher.
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Aidan Vitti is a costume designer and
film producer based out of Seattle. Her recent costume work includes "A Leading Man,"
just recently distributed,
and Pacific Northwest productions such as "Bad Summer for Tomatoes" and
the recently wrapped sci-fi feature, "Force Play." She also designs
children's clothing and costumes, and is working on a line of
clothing for children with physical and mental design challenges. She spends her spare free time riding her
motorcycle, going to carnivals, reading comic books, and instagraming
her French bulldog, Murdock.
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Douglas E. Porter is a
cinematographer who left his native Massachusetts for Echo Park, Los
Angeles. He's worked on a wide range of film-making projects. He was
tour documentarian for Beyoncé's "The Mrs. Carter Show" World Tour and
worked on cinematography for her "Jealous" music video, as well as music
videos for artists like Sub Focus, Broods, and The Child of Love. He's
also been a cinematographer for several short films, such as "Diyu" and "No
Place for Soft Eyes," and has worked on commercials for Coca Cola,
McCall Jeans, and Kenmere Ave. His love of film-making started when he
attended Emerson College.
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William Poole (playing Ryker) is an
actor based in Seattle and has been acting in films throughout the
northwest since graduating from the University of Washington. His credits include the features "Mondo Beacho" by Groton Bridge
Films and "Children of Light" by Sojourner Films. Currently he is
acting in A Contemporary Theatre's production of "Vanya, Sonia, Masha
and Spike.". After finishing "RYKER" he is slated to appear in the 2015 feature film
"Hands of Thunder." Recently he was seen in Seattle productions at Book-It Repertory Theatre
and The Repertory Actors Theatre and in Portland, OR at defunkt
theatre.
He
is also a huge sports fan and roots for the Huskies, the Seahawks, and the Trail
Blazers.
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Sarah Brink (playing Annelise) is a Seattle-based
actress who recently acted in "If You Go Away," a short film with Well
Oiled Machine Studios, and "Washed Out," a short film at the Seattle
Academy. Right now she's rehearsing for the play "You Can’t Take It With
You" at the Shoreline Community College. She also plays the piano, dances,
sings, and loves outdoor sports.
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Edgar
Rosa is a line producer who has worked with Russell Simmons' new
company All Def Digital and produced several independent productions
such as "All Lit Up," "Son of a Barman," and "Animals." He holds a Bachelors'
in Visual Media Production: Film
Producing from Emerson College and is currently completing his Master's
Degree in Producing at the AFI Conservatory. In the past he interned at
Good Universe (formerly Mandate Pictures) and The
Gersh Agency. When not working on films, Edgar
loves to experiment in the kitchen and read about the latest
developments in
technology.
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Pete Ivanecky is a storyboard/concept
artist living in New York City. He was also the storyboard/concept
artist for Alexandre's previous film, "Hudson Valley Boys."
In addition to storyboarding he is also an illustrator and designer. He has no cats, and no dogs.
Where Does My Money Go?
We've carefully calculated exactly how much funding we're going to need to finish "RYKER."
Shooting Labor: $975
Pre-Production/Wrap Expenses: $1,280
Location and Travel: $3,588
Makeup, Wardrobe, Animals: $1,000
Art Department Expenses: $555
Equipment Costs: $3,000
Insurance: $1,102
Which
makes for a total of $11,500. Any more than that will go to extra
special effects and submitting the film to more festivals.