What We Need

We need finishing funds. The score is written and it's good. So good. But the bill for that is due and there's still the mix-down to consider, and we've got someone doing a bang-up job on foley and sound design. 

Why It Matters

Sound is 50% of your film. We got great shots and great performances and all we need to round it out is a compelling score and the right sound design to pull it all together. 

Imagine Star Wars without Darth Vader's breathing, or Jaws without the music. Sound matters, and it matters here a lot. 

How Close Are You?

We're all-but done! Seriously. The final cut is locked, except for one or two stock footage inserts, and the score is already written. We're very grateful to our composer, Justin Ecklond, who agreed to work on contingency on this little film of ours and we want to honor his commitment by paying him the very reasonable fee he asked for. Add to that Diana Chica who is doing both foley and our sound design and final mix-down and we got a steal here.