THANK YOU FOR MAKING 'THE COMING WAR' THE MOST FUNDED UK DOCUMENTARY ON THE INDIEGOGO SITE! 

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'Journey' is an overworked word these days, but I can think of none other to describe the making of a documentary film. Ten years ago, a film of mine could be made in six months, even less. The main work was the research, the journalism. Whenever I felt confident I had the basis of a 'story', I would go to the ITV Network in the UK and seek a broadcast commission. If that was forthcoming, ITV would fund the production. The difference now is that I, the film-maker, must raise most of the production money. Also, my documentaries have changed considerably in recent years. They are now made for the cinema as well as TV, and for the internet.

I've made three films this way, The War on Democracy (2007), The War You Don't See (2010) and Utopia (2013). Utopia took more than two years to make.

In raising the money for these films, I've been fortunate to find sympathetic philanthropists and foundations, and persuade them to contribute without attaching any editorial strings. But these benefactors are rare, and tracking them down is probably the hardest part of film-making now and, frankly, not the kind of work I ever saw myself doing - I've always preferred simply to do the job I knew - journalism.

I've lately embarked on another film journey -- this will be my 60th documentary. ITV has commissioned the film, and provided seed money. The working title is The Coming War Between America and China,  and the film will tell the largely unreported story of a new US strategic policy known as 'the pivot to Asia'. In a nutshell, what this means is that the US is  preparing for a new provocative cold war that has every chance of becoming a hot war. Washington has begun to move its main missile and naval forces into the Asia-Pacific in order to surround and 'confront' China, whose extraordinary economic rise in recent years is regarded in Washington as a threat to American dominance. For obvious reasons, I won't lay out here the 'where, what and why'. Suffice to say the film will be shot in some surprising places where I'll meet and interview extraordinary people. Above all, it will be revealing: that is assured.

Having read this far, you're sure to guess that this message is heading towards another modern cliché -- an 'ask'. My colleagues at Dartmouth Films and I need to raise at least £60,000 or $100,000 in order to start making the film. This money won't meet unforeseen costs or pay for distribution and promotion, but it will allow for the promised philanthropy, on which the bulk of the film's funding depends, to come on stream and for filming to begin.

And that's where you come in.

This is known as 'crowd funding' and, as you can guess, it's my first day in this strange new world. If you can give £5 - that's about $10 - no more - I'll be grateful. For your part, you'll have made a vital contribution to a film whose disclosure and warning are, I believe, urgently needed. I'm hopeful you'll be proud of the result. Thank you.

John Pilger 
December 2014

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The production team for THE COMING WAR brings years of experience on award-winning, high-quality documentaries made for cinema, television, DVD and online. 

The team includes:

JOHN PILGER 

John Pilger is a renowned war correspondent, author and film-maker. He has made 59 documentary films, and is only one of two to win British journalism’s highest award twice. He has won television Academy Awards in the UK and the US. He won the Sydney Peace Prize, “for fearless challenges to censorship in any form”. Harold Pinter said, "John Pilger unearths, with steely attention to facts, the filthy truth and tells it as it is".

CHRISTOPHER HIRD - EXECUTIVE PRODUCER

Christopher Hird is a leading figure in UK independent documentary making. He is the founder and managing director of Dartmouth Films, which has pioneered new ways of funding, producing and distributing documentaries in the UK, as well as promoting the work of new and emerging filmmakers. Among the films which Christo has executive produced: Black Gold (2006), The End of the Line (2009), The Flaw (2011) Fire in the Blood (2012), McCullin (2013) and Still the Enemy Within (2014). He is a former chair of the Sheffield International Documentary Festival and was the founding chair of the Channel Four Britdoc Foundation. He is currently a trustee of the Wincott Foundation, One World Media  and the Centre for Investigative Journalism.

SANDRA LEEMING - LINE PRODUCER

Sandra Leeming has worked with Christopher Hird since 1994 and shares his passion for producing documentaries which aspire to challenge, educate and bring about social change.

As Head of Production she manages all of Dartmouth’s documentary film projects which range from small low-budget docs made by first-time directors to large-budget feature docs for international broadcast and release. She enjoys meeting the challenges that both size projects can bring. She supports the development of new talent and unearthing new approaches to production processes.

Sandra Line Produced Black Gold, The End of the Line, The Battle for Barking, How to Re-establish a Vodka Empire, Cocaine Unwrapped as well as John Pilger’s The War You Don’t See and Utopia.

She series produced The World Tomorrow with Julian Assange and is currently working on The World Today with Tariq Ali.

Please note: As is common with the perks offered in crowd funding campaigns, an element of the contribution is a donation and will be identified as such on a VAT receipt. 

If you require a VAT receipt, please email info@thecomingwarmovie.com